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Posted on May 11, 2010 20 Comments

The Book of Mormon is a sacred text that was published in March 1830 by Joseph Smith, Jr. According to Smith, the book is originally written in an otherwise unknown language called “reformed Egyptian” on golden plates and it should be of similar importance as the Bible. Smith said he has received these plates in 1827 from an angel named Moroni, who identified himself to Smith as a Native American, which wrote a part of the book for over a thousand years ago. According to Smith this ancient Moroni buried the plates in a hill near Smith’s home in Manchester, New York.

The Book of Mormon Script Book: The Complete Book and Lyrics of the Broadway Musical [Trey Parker, Robert Lopez, Matt Stone] on Amazon.com. *FREE* shipping on qualifying offers. The only official companion book to the Tony Award winner for Best Musical from the creators of South Park and the co-creator of Avenue Q. Book Of Mormon Musical Script Download 16 DOWNLOAD 99f0b496e7 The Book of Mormon Script Book: The Complete Book and Lyrics of the Broadway Musical: Trey Parker, Robert Lopez, Matt Stone: 324: Books - Amazon.caOn Sale Today.

The only official companion book to the Tony Award winner for Best Musical from the creators of South Park and the co-creator of Avenue Q. Features the. The Book of Mormon. The Book of Mormon is a sacred text that was published in March 1830 by Joseph Smith, Jr. According to Smith, the book is originally written in an otherwise unknown language called “reformed Egyptian” on golden plates and it should be of similar importance as the Bible. Smith said he has received these plates in 1827. The Book of Mormon Script Book: The Complete Book and Lyrics of the Broadway Musical Published on Mar 9, 2019 The Book of Mormon Script Book: The Complete Book and Lyrics of the Broadway Musical.

Download The Book of Mormon by Church of Jesus Christ of Latter-day Saints and Smith:

Book of Mormon – PDF
Book of Mormon – plain text (1,52 MB)

Comments

1. Loveth
   February 23rd, 2013 @ 5:24 pm

   The book of mormon is truly the most correct of any other book on earth and men will get nearer to God by abiding by its precepts. I know the book of mormon is TRUE

2. JEFF
   June 8th, 2013 @ 7:38 am

   study the bible and the claims of the book of mormons, you’ll be surprise by its deception.

3. fED
   July 1st, 2013 @ 1:57 am

   Total BS. Unbelievable what some desperate people believe! Face palm…

4. DAVID DANIEL
   October 27th, 2013 @ 9:47 am

   i know without any doupt that the book of mormon is true. It is my light, my strength and my way of life.

5. Telly Nana
   November 4th, 2013 @ 10:26 am

   its is a book that should be read and accessed by all, my account of the book is that it is true to my heart and should be to all hearts that know love, truth and justice.

6. Amedarich Obadagood Gordworth
   November 7th, 2013 @ 6:56 pm

   The book of Mormon tells about ancient Christianity, it truly taught principles and doctrines required of us by our heavenly father like the new testament today. I believe faithfully that the book of mormon is true and i hope that others will see its light.

7. Amedarich Obadagood Gordworth
   December 24th, 2013 @ 8:23 am

   The book of mormon is a true book with divine inspiring characteristics.

8. Michael Schreiber
   January 25th, 2014 @ 12:18 am

   The book of Mormon is true. The Church of Jesus Christ of Latter Day Saints is also true. Many people do not understand that the word “Saint” does not mean Demi-God, as the Catholic church uses it, LDS folks use the word Saint as a follower of Christ, or disciple. This is a misconception by many who think that mormon’s pray to Joseph Smith, thinking (in a catholic way) that he must be the “Saint” that mormons pray to. In actuality, this is just 2 different groups using the same word in different ways. Mormon’s have many different terms that have evolved over the last centuries. examples:
   parish=ward=congregation
   communion = sacrement
   worship service = sacrament meeting
   Priest = Bishop(presides over a congregation)
   Scriptures = Bible, Book of Mormon, Doctrine & Covenants, Pearl of Great Price, +More Modern Revelations.

   Part of why I beleive the book of Mormon, and everything else in the Church of Jesus Christ of Latter Day Saints is how it tells of how I lived before I was born. Not reincarnation. But how God created my spirit before I was born, how in order for me to progress beyond where I was at, I needed to be born and experience mortal/temporal life. This resonates with me because I see wisdom in it, where other churches say that without baptism or membership in that church you will be damned to hell, the mormon church shows that God does not work that way, all will be redeemed (with few exceptions) and just by being born we have made progress that God deemed worthy for us to endure all the hardships and trials of life.

9. favour
   February 5th, 2014 @ 6:38 am

   The book of mormon is book, and it is the light of my world it is the light at the of the tunnel.

10. JETHRO
    February 16th, 2014 @ 9:26 am

    “it is the most correct and living book among all the books that existed in the history

11. JETHRO
    February 16th, 2014 @ 9:28 am

    “it is the the book of life that can unfold the will of heaven”

12. Abifade osarenogie scott
    March 7th, 2014 @ 6:20 am

    I know that the book of mormon is ture nd i know that the church is ture too

13. Salami Ola
    June 7th, 2016 @ 12:17 pm

    That a book appealed to your mind don’t make it true.
    Before you can ascertain a book to be trustworthy, it must be proofed beyond reasonable doubt. Can any one come out with the historical, archaeological and scientific proof of the book of mormon?
    Search for yourself and you will discover and be daze of its deception!
    Being a follower of Christ is not about belonging to a sect, denomination or church. It’s simply accepting Him as you personal Lord and savior and allowing Him to take over your life.
    My prayer for you dear brothers and sisters in Mormonism:
    You shall know the truth, and the truth shall set you free.

14. gerlie tapangco
    December 16th, 2016 @ 11:44 pm

    Yes i know that the Book of Mormon is TRUE and that The Church of Jesus Christ of Latter Day Saints is TRUE. It is a word of God written for us to be saved by abiding by its precepts…

15. Mary H. Moore
    March 6th, 2017 @ 9:54 pm
16. DNiel
    May 30th, 2017 @ 5:08 am

    Mormonism seems to be a typically ‘American’ concept. Why? Because it fulfills an apparent need amongst those people’s for a religion that isn’t controlled by by foreigners, ie Arabs, Europeans. Jews, Asiatics etc. America needed it’s own Religion, as American as apple pie. I was not at all surprised at Joe Smiths visions, but by Americans willingness to believe them, until I put them into the context of America’s need to control everything.

17. DNiel
    May 30th, 2017 @ 5:13 am

    BTW thanks for the download. I found the book to be as believable as all the other religious books, ie Bible, koraan, Mahabharatadingdong, Torah etc, although a bit lacking in the supernatural.

18. kush man
    July 12th, 2017 @ 6:36 pm

    That is right but I really want to have a satisfying proof about how this book appeared. For we know the new testament in the bible was propheciesed.

19. tony
    August 3rd, 2017 @ 6:51 am

    The Mormon claim of using Eze 37:15-19 to authenticate this book is absurd. People are blind and believe anything. Read II Cor 4:3-5. The Bible says that a time will come when men will not endure sound doctrine but instead give heed to doctrines of demons. Please my advice is that you hold firmly to the BIBLE. Have you researched about the writer Joe? Please do and you will be shocked. The book is soo false and leading many astray. Better repent and accept the true gospel of the living Jesus Christ. God bless

20. Cheryl
    June 10th, 2019 @ 6:03 pm

    People are always under the MISCONCEPTION that the LDS Church does not follow the BIBLE. The BIBLE is its’core belief with the other documents being supplemental to it. The LDS members are the kindest, finest people I have ever met. They strive harder than any other people I have met to be “Christ-like”. As a independent Christian I have found most judgmental “Christians” to be fake and a poor representative of the teachings of Christ.

    Basic Lessons give you complete control over how you learn. And when you’re more comfortable, you can practice your new skills with a complete backing band. See finger placement and basic chords on animated onscreen instruments. Garageband guitar lessons download torrent.

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A Chorus Line is a concept musical with music by Marvin Hamlisch, lyrics by Edward Kleban and a book by James Kirkwood Jr. and Nicholas Dante. Centered on seventeen Broadwaydancersauditioning for spots on a chorus line, the musical is set on the bare stage of a Broadway theatre during an audition for a musical. A Chorus Line provides a glimpse into the personalities of the performers and the choreographer as they describe the events that have shaped their lives and their decisions to become dancers.

Following several workshops and an Off-Broadway production, A Chorus Line opened at the Shubert Theatre on Broadway July 25, 1975, directed by Michael Bennett and co-choreographed by Bennett and Bob Avian. An unprecedented box office and critical hit, the musical received twelve Tony Award nominations and won nine, in addition to the 1976 Pulitzer Prize for Drama.

The original Broadway production ran for 6,137 performances, becoming the longest-running production in Broadway history until surpassed by Cats in 1997, and the longest-running Broadway musical originally produced in the US, until surpassed in 2011 by the revival of Chicago. It remains the seventh longest-running Broadway show ever. A Chorus Line's success has spawned many successful productions worldwide. It began a lengthy run in the West End in 1976 and was revived on Broadway in 2006, and in the West End in 2013.

• 2Musical numbers
• 4Production history
• 5Awards and nominations

The Book Of Mormon Script Book Musical Download Torrent Pdf

Synopsis[edit]

The show opens in the middle of an audition for an upcoming Broadway production. The formidable director Zach and his assistant choreographer Larry put the dancers through their paces. Every dancer is desperate for work ('I Hope I Get It'). After the next round of cuts, 17 dancers remain. Zach tells them he is looking for a strong dancing chorus of four boys and four girls. He wants to learn more about them, and asks the dancers to introduce themselves. With reluctance, the dancers reveal their pasts. The stories generally progress chronologically from early life experiences through adulthood to the end of a career.

The first candidate, Mike, explains that he is the youngest of 12 children. He recalls his first experience with dance, watching his sister's dance class when he was a pre-schooler ('I Can Do That'). Mike took her place one day when she refused to go to class—and he stayed. Bobby tries to hide the unhappiness of his childhood by making jokes. As he speaks, the other dancers have misgivings about this strange audition process and debate what they should reveal to Zach ('And..'), but since they all need the job, the session continues.

Zach is angered when he feels that the streetwise Sheila is not taking the audition seriously. Opening up, she reveals that her mother married at a young age and her father neither loved nor cared for them. When she was six, she realized that ballet provided relief from her unhappy family life, as did Bebe and Maggie ('At the Ballet'). The scatter-brained Kristine is tone-deaf, and her lament that she could never sing is interrupted by her husband Al finishing her phrases in tune ('Sing').

Mark, the youngest of the dancers, relates his first experiences with pictures of the female anatomy and his first wet dream, while the other dancers share memories of adolescence ('Hello Twelve, Hello Thirteen, Hello Love'). The 4'10' Connie laments the problems of being short, and Diana Morales recollects her horrible high school acting class ('Nothing'). Don remembers his first job at a nightclub and Judy reflects on her problematic childhood while some of the auditionees talk about their opinion of their parents ('Mother'). Then, Greg speaks about his discovery of his homosexuality and Richie recounts how he nearly became a kindergarten teacher ('Gimme the Ball'). Finally, the newly buxom Val explains that talent alone doesn't count for everything with casting directors, and silicone and plastic surgery can really help ('Dance: Ten; Looks: Three').

The dancers go downstairs to learn a song for the next section of the audition, but Cassie stays onstage to talk to Zach. She is a veteran dancer who has had some notable successes as a soloist. They have a history together: Zach had cast her in a featured part previously, and they had lived together for several years. Zach tells Cassie that she is too good for the chorus and shouldn't be at this audition. But she hasn't been able to find solo work and is willing to 'come home' to the chorus where she can at least express her passion for dance ('The Music and the Mirror'). Zach sends her downstairs to learn the dance combination.

Zach calls Paul, who has been reluctant to share his past, on stage for a private talk, and he emotionally relives his childhood and high school experience, his early career in a drag act, coming to terms with his manhood and his homosexuality, and his parents' ultimate reaction to finding out about his lifestyle. Paul breaks down and is comforted by Zach. Cassie and Zach's complex relationship resurfaces during a run-through of the number created to showcase an unnamed star ('One'). Zach confronts Cassie, feeling that she is 'dancing down,' and they rehash what went wrong in their relationship and her career. Zach points to the machine-like dancing of the rest of the cast—the other dancers who have all blended together, and who will probably never be recognized individually—and mockingly asks if this is what she wants. Cassie defiantly defends the dancers: 'I’d be proud to be one of them. They’re wonderful..They’re all special. I’d be happy to be dancing in that line. Yes, I would..'

During a tap sequence, Paul falls and injures his knee that recently underwent surgery. After Paul is carried off to the hospital, all at the audition stand in disbelief, realizing that their careers can also end in an instant. Zach asks the remaining dancers what they will do when they can no longer dance. Led by Diana, they reply that whatever happens, they will be free of regret ('What I Did for Love'). The final eight dancers are selected: Mike, Cassie, Bobby, Judy, Richie, Val, Mark, and Diana.

'One' (reprise/finale) begins with an individual bow for each of the 19 characters, their hodgepodge rehearsal clothes replaced by identical spangled gold costumes. As each dancer joins the group, it is suddenly difficult to distinguish one from the other: ironically, each character who was an individual to the audience seems now to be an anonymous member of a neverending ensemble.^[1]

Musical numbers[edit]

• 'I Hope I Get It' – Company
• 'I Can Do That' – Mike
• 'And..' – Bobby, Richie, Val, and Judy
• 'At the Ballet' – Sheila, Bebe, and Maggie
• 'Sing!' – Kristine, Al, and Company
• 'Montage Part 1: Hello Twelve, Hello Thirteen, Hello Love' – Mark, Connie, and Company
• 'Montage Part 2: Nothing' – Diana
• 'Montage Part 3: Mother' – Don, Judy, Maggie, and Company
• 'Montage Part 4: Gimme the Ball' – Greg, Richie, and Company
• 'Dance: Ten; Looks: Three' – Val
• 'The Music and the Mirror' – Cassie
• 'One' – Company
• 'The Tap Combination' – Company
• 'What I Did for Love' – Diana and Company
• 'One' (Reprise)/Bows – Company

Original cast album[edit]

Issued by Columbia Records (PS33581) containing the following tracks:

Side One

The Book Of Mormon Script Book Musical Download Torrent 2017

• 'I Hope I Get It' – Company
• 'I Can Do That' – Mike (Wayne Cilento)
• 'At the Ballet' – Sheila (Kelly Bishop), Bebe (Nancy Lane), Maggie (Kay Cole)
• 'Sing!' – Kristine (Renee Baughman), Al (Don Percassi)
• 'Hello Twelve, Hello Thirteen, Hello Love' (Montage) – Company
• 'Nothing' – Diana (Priscilla Lopez)

Side Two

• 'The Music and the Mirror' – Cassie (Donna McKechnie)
• 'Dance: Ten; Looks: Three' – Val (Pamela Blair)
• 'One' – Company
• 'What I Did For Love' – Diana and Company
• 'One (Reprise)' Finale – Company

Characters[edit]

• Zach, the imperious, successful director running the audition.
• Larry, his assistant.

The Auditionees:

• Don Kerr, a married man who once worked in a strip club.
• Maggie Winslow, a sweet woman who grew up in a broken home.
• Mike Costa, an aggressive dancer who learned to tap at an early age.
• Connie Wong, a petite Chinese-American who seems ageless.
• Greg Gardner, a sassy Jewishgay man who divulges his first experience with a woman.
• Cassie Ferguson, a once successful solo dancer down on her luck and a former love of Zach's.
• Sheila Bryant, a sassy, sexy, aging dancer who tells of her unhappy childhood.
• Bobby Mills, Sheila's best friend who jokes about his conservative upbringing in Buffalo, New York.
• Bebe Benzenheimer, a young dancer who only feels beautiful when she dances.
• Judy Turner, a tall, gawky, and quirky dancer.
• Richie Walters, an enthusiastic black man who once planned to be a kindergarten teacher.
• Al DeLuca, an Italian-American who takes care of his wife.
• Kristine Urich (DeLuca), Al's scatter-brained wife who can't sing.
• Val Clark, a foul-mouthed but excellent dancer who couldn't get performing jobs because of her looks until she had plastic surgery.
• Mark Anthony, the youngest dancer who recounts the time he told his priest he thought he had gonorrhea.
• Paul San Marco, a gay Puerto Rican who dropped out of high school and survived a troubled childhood.
• Diana Morales, Paul's friend, another Puerto Rican who was underestimated by her teachers.

Cut dancers:

• Tricia, who has a brief vocal solo.
• Vicki, who never studied ballet.
• Lois, who dances like a ballerina.
• Roy, who can't get the arms right ('Wrong arms Roy').
• Butch, who gives attitude in the audition.
• Tom, an all-American jock.
• Frank, who looks at his feet when he dances ('headband').

Production history[edit]

The musical was formed from several taped workshop sessions with Broadway dancers, known as 'gypsies,' including eight who eventually appeared in the original cast. The sessions were originally hosted by dancers Michon Peacock and Tony Stevens. The first taped session occurred at the Nickolaus Exercise Center January 26, 1974. They hoped that they would form a professional dance company to make workshops for Broadway dancers.

Michael Bennett was invited to join the group primarily as an observer, but quickly took control of the proceedings. Although Bennett’s involvement has been challenged, there has been no question about Kirkwood and Dante’s authorship. In later years, Bennett's claim that A Chorus Line had been his brainchild resulted in not only hard feelings but a number of lawsuits as well.^[2] During the workshop sessions, random characters would be chosen at the end for the chorus jobs based on their performance quality, resulting in genuine surprise among the cast. However, several costumers protested this ending, mainly due to the stress of having to change random actors in time for the finale. This resulted in the ending being cut in exchange for the same set of characters winning the slots.^[3] Marvin Hamlisch, who wrote A Chorus Line's score, recalled how during the first previews, audiences seemed put off by something in the story. This problem was solved when actress Marsha Mason told Bennett that Cassie (Donna McKechnie in the original production) should win the part in the end because she did everything right. Bennett changed it so that Cassie would always win the part.^[4]

Original production[edit]

A Chorus Line opened Off Broadway at The Public Theater on April 15, 1975.^[5] The capitalized cost, including the two workshop productions, totalled $549,526.^[6] At the time, the Public did not have enough money to finance the production so it borrowed $1.6 million to produce the show.^[7] The show was directed by Bennett and co-choreographed by Bennett and Bob Avian. Advance word had created such a demand for tickets that the entire run sold out immediately. Producer Joseph Papp moved the production to Broadway at a cost of $588,889 bringing the total capitalized production cost to $1,138,415,^[6] and on July 25, 1975, it opened at the Shubert Theatre, where it ran for 6,137 performances until April 28, 1990.

The original Broadway cast included:

In addition, Carole Schweid and John Mineo were understudies named 'Barbara' and 'Jarad', although they only went on covering other roles. Tim Cassidy also was an understudy for 'Bobby'.

The production was nominated for 12 Tony Awards, winning nine: Best Musical, Best Musical Book, Best Score (Hamlisch and Kleban), Best Director, and Best Choreography, Best Actress (McKechnie), Best Featured Actor (Sammy Williams), Best Featured Actress (Bishop) and Best Lighting Design.^[8] The show won the 1976 Pulitzer Prize for Drama, one of the few musicals ever to receive this honor, and the New York Drama Critics' Circle Award for Best Play of the season.

In 1976, many of the original cast went on to perform in the Los Angeles production. Open roles were recast and the play was again reviewed as the 'New' New York Company which included Ann Reinking, Sandahl Bergman, Christopher Chadman, Justin Ross (who would go on to appear in the film), and Barbara Luna.

When it closed, A Chorus Line was the longest running show in Broadway history^[9] until its record was surpassed by Cats in 1997 and Les Misérables and The Phantom of the Opera in 2002. According to Baayork Lee in Sean Egan’s James Kirkwood biography Ponies & Rainbows, the first of those shows was artificially elevated above A Chorus Line. She said, 'I think they had Cats limping in, keeping it open and do you know I think they were giving tickets away just so that it would stay open, so they would break the record.' ^[10] On September 29, 1983, Bennett and 330 A Chorus Line veterans came together to produce a show to celebrate the musical becoming the longest-running show in Broadway history.^[11]

Up to February 19, 1990, A Chorus Line had generated US$146 million from its Broadway gross and US$277 million in total U.S. grosses^[6] and had 6.5 million Broadway attendees.^[12] At the time, it was the second most profitable show in Broadway history after Cats with profits of $50 million (including ancillary income). 75% of the profits went to Papp's New York Shakespeare Festival and 25% to Bennett's Plum Productions.^[6] Since its inception, the show's many worldwide productions, both professional and amateur, have been a major source of income for The Public Theater that Papp had founded.

Subsequent productions[edit]

U.S. and international tours were mounted in 1976, including a run in Los Angeles at the Shubert Theatre in Century City.

A London production opened in the West End at the Theatre Royal Drury Lane in 1976. It ran for several years. Jane Summerhays and Geraldine Gardner (aka Trudi van Doorn of the Benny Hill Shows), played Sheila in the London production.^[13][14] The production won the Laurence Olivier Award as Best Musical of the Year 1976, the first year in which the awards were presented. Joan Illingworth was also down to the last two to appear.

The original Australian production opened in Sydney at Her Majesty's Theatre in May 1977, and moved to Melbourne's Her Majesty's Theatre in January 1978. The cast featured Peta Toppano as Diana, David Atkins as Mike, and Ross Coleman as Paul.^[15]

In 1980, under the direction of Roy Smith, the Teatro El Nacional of Buenos Aires produced a Spanish version of A Chorus Line lasting 10 months (and then only to make way for an already scheduled subsequent production).

In 1984, under the direction of Roy Smith with translation by Nacho Artime y Jaime Azpilicueta, the show was produced at the Tivoli Theater in Barcelona and the Monumental Theatre in Madrid Spain.

In July 1986, A Chorus Line was produced in Italy for the first time. It premiered at the Nervi Festival of Dance in Genoa, followed by a five-week Italian tour. The choreography was adapted for the festival's performing space by Baayork Lee who had played Connie in the original production and subsequently became a close collaborator of Michael Bennett, the original choreographer.^[16]

The German language version was again directed by Lee and first opened in 1987 in Vienna, Austria, where it ran for one season ^[17] followed by the German language CD-release^[18] produced by Jimmy Bowien in 1988.

The first—and as of 2016 only—professional Hungarian production of the musical opened its limited run on March 25, 1988 under the title Michael Bennett emlékére (English: In memory of Michael Bennett). It was performed by Ódry Színpad (the company of the Academy of Drama and Film in Budapest) translated into Hungarian by György Gebora, and directed by Imre Kerényi. The character Zach was renamed Michael and played by Kerényi.^[19]

The 2006 Broadway revival opened at the Gerald Schoenfeld Theater October 5, 2006, following a run in San Francisco. The revival closed August 17, 2008, after 759 performances and 18 previews. It cost $8 million to finance and recouped its investment in 19 weeks.^[20] The production was directed by Bob Avian, with the choreography reconstructed by Baayork Lee, who had played Connie Wong in the original Broadway production. The opening night cast included Paul McGill, Michael Berresse, Charlotte d'Amboise, Mara Davi, James T. Lane, Tony Yazbeck, Heather Parcells, Alisan Porter, Jason Tam, Jessica Lee Goldyn, Deidre Goodwin, and Chryssie Whitehead.^[21] On April 15, 2008, Mario Lopez joined the cast as the replacement for Zach.^[22] The production was the subject of the documentary film Every Little Step.

The production received two Tony Award nominations in 2007 for Featured Role (Charlotte d'Amboise) and Revival (Musical).^[8] The original contract for A Chorus Line provided for sharing the revenue from the show with the directors and dancers that had attended the original workshop sessions. However, the contract did not specify revenue when the musical was revived in 2006. In February 2008, an agreement was reached with the dancers and Michael Bennett's estate.^[23]

A 2008 U.S. touring production opened May 4, 2008, at the Denver Center for the Performing Arts and toured through June 2009. This production featured Michael Gruber as Zach, Nikki Snelson as Cassie, Emily Fletcher as Sheila, and Gabrielle Ruiz as Diana.^[24]

In 2012, the musical toured Australia gaining much critical acclaim. Bayyork Lee directed the production and it gained many nominations including, Helpmann nominations for Best Actress in a Musical for West End star, Anita Louise Combe playing Cassie, Best supporting Actress in a musical, Deborah Krizak and Best supporting Actor in a musical, Euan Doidge and it won best musical. The same production and cast then came to Singapore, playing at the Marina Bay Sands, Sands Theater, May 4 to May 27, 2012.^[25]

The show returned to London for a revival in February 2013 West End at the London Palladium, running through August of that year. It was directed by original choreographer, Bob Avian, with John Partridge, Scarlett Strallen, and Victoria Hamilton-Barritt starring.^[26]James T. Lane is reprising his Broadway role and Leigh Zimmerman won the Laurence Olivier Award for Best Performance in a Supporting Role in a Musical for her portrayal of Sheila in this production.^[27] Producers announced June 9, 2013, that the London revival cast would record a new cast album featuring never-before-heard songs which were written for the show but never made the final cut.^[28]

Reports surfaced in June 2016 that a second Broadway revival is planned for 2025, in honor of the show's 50th anniversary.^[29]

In 2016, approval was granted to director Donna Feore to allow changes in choreography so the show could be performed for the first time on a thrust stage, the Festival Theatre at the Stratford Festival of Canada.

In 2018, New York City Center presented A Chorus Line as their annual gala presentation. The production was directed by Bob Avian, co-choreographer of the original 1975 production, and choreographed by Baayork Lee, Broadway's original Connie Wong.

Awards and nominations[edit]

Original Broadway production[edit]

Original London production[edit]

2006 Broadway revival[edit]

2012 Australian revival[edit]

2013 London revival[edit]

Other media[edit]

In 1975 the film rights were sold to Universal Pictures for $5.5 million plus 20% of the distributor's gross rentals above $30 million.^[6] Universal subsequently sold the rights to PolyGram.^[30] An unsuccessful film adaptation was released in 1985, starring Michael Douglas as Zach. As Kelly Bishop, the original Sheila, later noted, 'it was appalling when director Richard Attenborough went on a talk show and said 'this is a story about kids trying to break into show business.' I almost tossed my TV out the window; I mean what an idiot! It's about veteran dancers looking for one last job before it's too late for them to dance anymore. No wonder the film sucked!'

In 1976, 'One' and 'What I Did For Love' were performed by the cast of 'The Brady Bunch Variety Hour.'

In 1988, the 60th Academy Awards featured a variation of 'I Hope I Get It' at the beginning of the ceremony.

In 1990, original cast members Baayork Lee and Thommie Walsh collaborated with Robert Viagas on the book On the Line: The Creation of A Chorus Line, which chronicles the musical's origins and evolution and includes interviews with the entire original cast.

In 1990, Visa launched a marketing campaign around A Chorus Line as it was touring the United States. The promotions included television commercials featuring the musical and the right to say that tickets for the show could be charged only on Visa cards. Visa paid $500,000 for the promotion.^[31]

Also in 1990, much of the original cast reunited to perform selections from the musical as well as talk about it on the talk show Donahue. This performance was given to benefit the final run of the show as it was about to close on Broadway at the time. The highlight of the appearance was an emotionally charged performance of 'At The Ballet' as performed by Kelly Bishop, Kay Cole and Nancy Lane which left several of the cast and the studio audience fighting back tears. Another highlight was the comical performance of 'Dance: Ten, Looks: Three (Tits and Ass)' as done by Pamela Blair. Renee Baughman was the only original cast member who couldn't attend the show's taping because she had to care for her seriously ill father.

The Simpsons episode 'Treehouse of Horror V' closes with a parody of 'One,' which the Simpson family and Groundskeeper Willie sing (with alternate lyrics) after they are turned inside out by a mysterious fog.

Book Of Mormon Script Pdf

Michael Bennett and Ed Kleban are portrayed in the 2001 musical A Class Act, a partly fictionalized account of Kleban's life using some of the lyricist's unpublished songs.

In 'What I'll Never Do For Love Again,' the 20th episode of the fifth season of Ally McBeal (2002), Elaine Vassal auditions (ultimately in vain) for a Boston production of A Chorus Line, singing 'Dance: Ten; Looks: Three' and 'The Music and the Mirror.'

James D. Stern and Adam Del Deo produced and directed a documentary film about the musical called Every Little Step, which includes footage of Michael Bennett and interviews with Marvin Hamlisch, Bob Avian, former theater critic for The New York TimesFrank Rich, and original cast members Donna McKechnie and Baayork Lee. The film includes some of the audiotapes made at the early workshop sessions and shows behind-the-scenes footage of the audition, rehearsals, and performances of both the original 1975 production and the 2006 Broadway revival. Production of the documentary began in 2005 when 3,000 hopefuls arrived on the first day of auditions for the revival. The film made its world premiere at the Toronto International Film Festival in September 2008 and was released as Broadway Broadway in Japan the following month.^[32] The documentary opened in limited release in the US in April 2009.^[33]

In 2009, music from the score was used in the television series Fringe in the episode Brown Betty, and also in the movie Land of the Lost that same year featuring Will Ferrell, Danny McBride, and Anna Friel

The song 'What I Did for Love' has been recorded by Aretha Franklin from 'Sweet Passion' (1977), Petula Clark, The Three Degrees on their 1977 album Standing Up for Love, Me First and the Gimme Gimmes on 'Are a Drag' (1999), Christine Ebersole in a 2009 episode of 'The Colbert Report', and most recently by Lea Michele in the first episode of the second season of the hit musical television series Glee. In a later episode in the same season, Jenna Ushkowitz and Harry Shum, Jr. performed 'Sing!', although the male and female vocals were switched. The episode 'Hell-O' from the show's first season was planned to feature a performance of 'Hello Twelve, Hello Thirteen, Hello Love', although the performance was cut; in a later episode the song can be heard playing in the background. Never officially released, the song was performed by Lea Michele and Jonathan Groff. 'At The Ballet' was featured in the show's fourth season and was performed by Chris Colfer, Naya Rivera, Lea Michele and Sarah Jessica Parker.

'Phineas & Ferb': in one part of the live show; Heinz Doofenshmirtz sings part of 'One'

The South Park episode W.T.F. features a scene that opens with the piano intro for 'One' followed by a parody of 'Nothing'.

The Scrubs episode My Malpractical Decision features a parody of 'One', accompanying an imaginary sequence in which Neena Broderick repeatedly assaults a barrage of unfortunate bystanders in the genitals.

In the House MD Season 6 episode, 'The Down Low', James Wilson (Robert Sean Leonard) starts singing the song in the last few seconds of the episode much to the discomfort of Wilson's best friend, Gregory House (Hugh Laurie).

In August 2013, ACL alumna Melissa R. Randel ('Judy Turner') mounted her original production, The Hat, at The New York International Fringe Festival – FringeNYC. The Hat was inspired by her experience as a young Broadway dancer who learns on the eve of a performance that her father has died. 'The curtain rises on her 87th performance of a hit Broadway musical, but no one tells Ruth her father has died. Forevermore, her heart clings to a gold-studded chorus girl’s top hat. LIGHTS UP! 5-6-7-8!' Randel appeared in more than 2,000 performances from 1981 to 1985 at Broadway's Shubert Theatre and on National and international tours, and can be seen as a featured dancer in Richard Attenborough's film, A Chorus Line.

Book Of Mormon Play Script

See also[edit]

Book Of Mormon Musical Reviews

Notes[edit]

1. ^Synopsis adapted from 'Michael Bennett's A Chorus Line'.
2. ^Those First in ‘Chorus Line’ Gain a Continuing Stake New York Times February 2, 2008
3. ^McKay, William. 'Michael Bennett's A Chorus Line' Musicals101.com. 1998. Retrieved August 14, 2008.
4. ^'Kurt Brokaw's New Directors/Film, Part Three'. Madison Avenue Journal. March 24, 2009. Retrieved March 14, 2013.
5. ^'A Chorus Line'. Lortel Archives. April 15, 1975. Archived from the original on October 13, 2012. Retrieved March 14, 2013.
6. ^ ^abcde''A Chorus Line' to Tune Out March 31 After 15 Years'. Variety. February 28, 1990. p. 53.
7. ^'What They Did for Love.' American Theatre. February 2007, Vol. 24 Issue 2, p. 15–6.
8. ^ ^ab'TonyAwards.com – The American Theatre Wing's Tony Awards – Official Website by IBM'^{[permanent dead link]}, TonyAwards.com. Retrieved August 14, 2008.
9. ^Rothstein, Mervyn. 'After 15 Years (15!), 'A Chorus Line' Ends'. The New York Times. April 30, 1990
10. ^Egan, Sean (2011) 'Ponies & Rainbows: The Life of James Kirkwood' Bearmanor Media, ISBN1-59393-680-X, p. 450
11. ^Corliss, Richard. 'The Show Must Go Under'. TIME. June 21, 2005. Retrieved August 14, 2008.
12. ^'A Sensation's Final Bow'. TIME. March 5, 1990. Retrieved August 14, 2008.
13. ^BroadwayWorld listing
14. ^Really Useful biographyArchived 2008-07-19 at the Wayback Machine
15. ^'AusStage - A Chorus Line'. www.ausstage.edu.au. Retrieved 2017-05-22.
16. ^Bentivolglio, Leonetta (11 July 1986). 'A Chorus Line a Nervi miracolo di professionalità'. La Repubblica. Retrieved 26 April 2014 ‹See Tfd›(in Italian).
17. ^VBW,'A Chorus Line in Vienna. Retrieved 7 November 2015 ‹See Tfd›(in German).
18. ^[1] A Chorus Line - German language CD-release (1988)
19. ^'Michael Bennett emlékére'. Színházi Adattár. Archived from the original on 2016-07-23. Retrieved June 28, 2016.
20. ^BWW News Desk. 'A Chorus Lins Ends Run Tonight, August 17'. Broadwayworld, August 17, 2008.
21. ^BWW News Desk. 'A Chorus Line Announces Complete 2006 Cast', BroadwayWorld.com, April 26, 2006. Retrieved August 14, 2008.
22. ^BWW News Desk. 'Mario Lopez Joins A Chorus Line on April 15', BroadwayWorld.com, March 4, 2008. Retrieved August 14, 2008.
23. ^Robertson, Campbell (February 2, 2008). 'Those First in Chorus Line Gain a Continuing Stake'. The New York Times. Retrieved March 14, 2013.
24. ^Hetrick, Adam. 'National Tour of A Chorus Line Officially Opens in Denver May 9'Archived 2008-07-06 at the Wayback Machine, playbill.com, May 9, 2008. Retrieved August 18, 2008.
25. ^'A Chorus Line, Marina Bay Sands, Singapore'. Retrieved 25 February 2012.
26. ^'A Chorus Line revived at London Palladium'. Retrieved 7 September 2012.
27. ^2013 Olivier Awards Announced; Curious Incident of the Dog in the Night-time, The Audience, Top Hat and Sweeney Todd Take Major AwardsArchived 2013-05-01 at the Wayback Machine Retrieved April 28, 2013
28. ^West End Frame. 'West End Frame: A Chorus Line to release London cast album'. westendframe.com. Archived from the original on 2013-06-25. Retrieved 2013-06-12.
29. ^BWW News Desk. '50th Anniversary Revival of A Chorus Line in the Works for 2025'. broadwayworld.com.
30. ^'A Chorus Line'. AFI Catalog. Retrieved April 2, 2018.
31. ^McManus, John, 'Visa joins with Chorus Line,' Advertising Age, September 17, 1990, Vol. 61 Issue 38, p. 4
32. ^''Every Little Step' – The Japan Times'. The Japan Times.
33. ^'A Chorus Line Documentary 'Every Little Step' to Hit Screens in April'. Playbill. Archived from the original on 2009-01-30.

References[edit]

• Long, Robert Emmet, Broadway, the Golden Years. Continuum International Publishing Group 2001. ISBN0-8264-1883-X
• Flinn, Denny Martin, What They Did for Love: The Untold Story Behind the Making of A Chorus Line. Bantam 1989 ISBN0-553-34593-1
• Hamlisch, Marvin, The Way I Was. Scribner 1982. ISBN0-684-19327-2
• Kelly, Kevin, One Singular Sensation: The Michael Bennett Story. New York: Doubleday 1990. ISBN0-385-26125-X
• Mandelbaum, Ken, A Chorus Line and the Musicals of Michael Bennett. St. Martins Press 1990. ISBN0-312-03061-4
• McKechnie, Donna and Lawrence, Greg, Time Steps: My Musical Comedy Life. Simon & Schuster 2006. ISBN0-7432-5520-8
• Stevens, Gary, The Longest Line: Broadway's Most Singular Sensation: A Chorus Line. Applause Books 2000. ISBN1-55783-221-8
• Viagas, Robert; Lee, Baayork; and Walsh, Thommie, On the Line: The Creation of A Chorus Line. New York: William Morrow & Company 1990. ISBN0-688-08429-X

External links[edit]

• A Chorus Line at the Internet Broadway Database
• A Chorus Line Plot summary and character descriptions from StageAgent.com
• A Chorus Line Audition Advice & Show Information from MusicalTheatreAudition.net
• Ovrtur.com Listing^{[permanent dead link]}
• NYPL theatrical lighting database, complete lighting paperwork, original Broadway production